As Walter Marchetti told to the producers of De Musicorum infelicitate, i.e., The Unhappiness of Music, this will probably be his last music work, but this is not the only point making this edition a very special one. After two CDs previously issued for Alga Marghen (Antibarbarus in 1998 and Nei Mari del Sud in 1999) these "Ten Pieces in the Form of Painful Variations" dispose in their unceasing and implacable sequence the landing at an anaphorical finis terrae, the extreme and impassable threshold, beyond which music can but sink in the abyss of its own loss of consciousness, in front of the horizon of the definitive loss of its exhausted tradition.
"De musicorum infelicitate," anamnesis of the condition of music, a barren aesthetic code ineluctably suspended between self-mystification and expression of the inauthentic, having reached the limit of its own fertility and every faculty of the imagination.
"De musicorum infelicitate," longing for a magniloquent destructio musicae, the destruction of an administrated practice, of a tautological exercise devoid of inner necessity. As Gabriele Bonomo, the project coordinator of the complete Walter Machetti editions for Alga Marghen, remarks in the liner-notes, music has been reduced to leading a ghostly existence, haunting the cemetery of history and frustrated by the impossibility to adhere to itself; if only music were able to recognize its own superfluity it could fulfill its destiny.
While listening to these "Ten Pieces in the Form of Painful Variations," each one with the precise duration of six minutes, you will realize that music, this extremely dense sonority close to the pulverization limit, is talking about itself.